This room is a fragment explosion of terracotta that invests the walls. The space is recomposes in the vision of the rectangular huge window that, with the effect of a perspective breking, opens the look and the mind to the sea and the sky, creating a fascinating jorney between the four elements, air, water, earth and fire.
The sculptural element is represented by the big iron chair, which is deprived of his traditional function and communicates “the freedom” of being knowledge, thought. In fact, in his being “torsion”, the chair becomes a minute sign, touching magically the exploded terracotta wall. While sitting and experiencing that emptiness, that subtraction, that transition from the particular to the general sense, the guest is set free and discovers his belonging to the space. The guest releases its energy and its thought and becomes presence in the empty space. The huge bed in suspension fluctuates with lightness in the space without visible points of support to the walls.
The walls appear like a musical matter, a mosaic, whose tonality is varied during the day.